For the filming of her new erotic thriller movie “Babygirl,” 57-year-old Nicole Kidman and 28-year-old Harris Dickinson had starred together.
As the movie consists many explicit scenes of Kidman and Dickinson together, some social media users didn’t like it as they criticized the movie as, “If this were a movie about a 60yr old dude and a 30yr old chick, we all know it would get canceled. So why is it ok to make the 10th one this year [sic]?”
“She’s so old I’m grossed out. Disrespectful to all men involved.”
“Nic0le Kidman was born 20 June 1967. She is 57 years old Harris Dickins0n was born 24 June 1996. He is 28 years old 29 years OLDER than him [sic].”
“Nicole Kidman is into kids nowadays 😂.”
As the scenes were too provocative, the movie pushed the boundaries of the actors and actresses too.
As Kidman and Dickinson’s characters were having too many intimate scenes, it was consuming and exhausting for Kidman.
“There was an enormous amount of sharing and trust and then frustration. It’s like, ‘Don’t touch me,”’ Kidman said.
“There were times when we were shooting where I was like, ‘[…] Don’t come near me. I hate doing this. I don’t care if I am never touched again in my life! I’m over it.’ It was so present all the time for me that it was almost like a burnout,” the actress said.
Kidman also stated, “I’m a huge believer still in the sacredness of the set or the actors’ space, and it never, never being violated. Because it’s ours, it’s the bubble, and then there’s the world outside.”
As Kidman talked about the director of the movie, Helina Rejin, she praised her for doing this movie in a male-dominated business field.
“I don’t think I could have done it, working with a man. I actually think the only way I could do this was with her because the two of us would sit and talk. We talked about so many things and still do, that is so secretive and vulnerable — but it’s safe,” Kidman also said.
“My favorite day was the rave because I got to go to a rave. We played loud music and I got to just go wild. It was a much-needed contrast to the heavy emotional scenes that dominated the film. And at that point in the film when we were doing it, it was just so needed — that feeling of full release.”
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